My 2-month Studio in Wuhan Huazhong University of Science and Technology ended on Dec 18th with a final review followed by an exhibition of the students' work in Yangtze River Space in Wuhan, a gallery awkwardly situated in a guarded villa compound in the south part of Wuchang district. The works are by students of myself, Elaine W Ho and Chen Shuyu. Below some photos of the exhibition (which had to be merged with some murals remaining from the previous artist's exhibition). The studio was an interesting experience as a first attempt at understanding the capabilities of the students as well as familiarizing with potential fields of urban investigation. Although I'm perhaps not fully satisfied with the results, the studio forced me to formulate a syllabus and assignments comprehensive enough to be understood by Chinese 4th year students not usually engaged in self-programming and narrative drawing. Working in a diffuse field in between studio/tutoring and research, I will try to strengthen the research part in the future so that a comprehensive goal can be set and reached through the joint body of work.
I'm now back in Sweden, trying to resume my writing and summing-up of the studio, after a week of christmas eating, giving and receiving. Most of all right now I'd like to sink into my gifts: Public Space - An interpretation by George Baird, Issue 2 of Too Much-Magazine of Romantic Geography, Issue 22 of LOG and a beautiful catalogue of Studio Mumbai's exhbition in EPFL Lausanne, but this week needs to be productive as I am also entering a crucial phase of promoting our ITERATE workshop starting on January 30 in Beijing. More on that asap.