I have completed a new set of table and chairs for a client in Beijing. The pieces are prototypes but will be developed for production in the next few months.
The table is called EastWest and echoes the architecture within which it will stand; one of Beijing's best preserved Qing dynasty courtyard houses in Heizhima hutong, just North of the IFP Studio. The name is also a reference to a book When East Meets West by Werner Blaser which draws parallels between the work of modernist Ludwig Mies van der Rohe and traditional Chinese and Japanese wood architecture. The table is made in pinewood, also frequently used in Japanese furniture, treated with wood oil and white pigment to keep the wood from turning yellow with time. The legs protrude the table top in the shape of crosses, which helps increase the contact surface between the top and the legs, as well as referencing Mies frequent use of the cross in building elements.
The chair Untitled is a simple dining chair made from solid wood, with the seat and back in nylon bands, normally used in clothing, bags and accessories. The entire frame is made from square profile ashwood, drawing inspiration from Donald Judd's minimalist furniture and Sol Lewitt's grid structures. I have adjusted some of the angles to provide more comfort for everyday use, and tapered the bottom of the legs to make the chair look lighter. The bands making up the seat and back are wrapped around the wooden frame several times in an ad hoc manner, to give a more complex texture to the chair. Compared to a wooden seat and back, the bands adapt to the body and allows for longer-term use.