Courtesy of the new high-pressure weather that so mercifully started hovering above Beijing a few days ago, I am finally seeing, actually seeing, my surroundings for the first time since the summer started 2-3 months ago.
And the other day, when reflecting over the fact that being swept into a haze is, also historically, the default condition for most of China, I could see why it made so much more senseto build around a courtyard rather than isolated elements on a surface. You are not trying to grasp an ungraspable landscape far away, but having full control over your nearest surroundings, your family and your own belongings. Considering the cultural AND climatic aspects, this must be the underlying logic why Chinese (traditional) architecture works the way it does.
This brings me to the next question: What is its current logic? It seems to often come down to one word: Speculation.