This installation was a part of SaYiZheng (Sleepwalking in Chinese, or sometimes translated as nonsense) a night art exhibition taking place last Friday in and around Doujiao hutong here in Beijing. The exhibition was organised by IFP's artist-in-residence Zoro Feigl and artist and curator Tianji Zhao. Altogether 23 artists participated, and quite a large amount of people came to see the exhibition and performances.
The idea behind this installation was to create a space with light, and as a response to the rough and ecclectic environment, I decided to create something that was quite purist and clean, but still made from materials found locally. The flourescent lights are activated by sound, which is also common here, especially in staircases of residential building blocks. However in the hutongs the lights are usually quite dim and the relationship to sound is more surprising. The configuration of a gate or a portal suited the site very well and provided a quite new experience of the hutong space. At the same time, its purity and materiality can refer to the typical white box gallery space, in which this kind of flourescent light fittings are virtually prerequisite.
The title, The Third Meaning comes from a text by Roland Barthes, referring to a third layer of meaning in SM Eisensteins films. I don't claim to harbor such a meaning, but if there is a third layer of meaning to anything, I'm sure someone can find it.
The next morning, only a few pieces of wood were left.